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A Picture of Everyone I Love Passes Through Me
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491_9780984607693
“Practicing Hauntalogy” in a “Cabinet of the solar plexus” American Poets Lynn Behrend (petals, emblems; editor of  Annandale Dream Gazette) and John  Bloomberg- Rissman (co-editor Poems for the Millennium 5: Barbaric, Vast & Wild: A Gathering of Outside & Subterreanean Poetry ) collaboratively meet Mina Loy, Phillip Lamantia,  Donna Haraway, Samuel Delaney,  and Bruce Andrews amid the dust of Breton and Soupault's  Magnetic Fields as filmed by Charles Kaufman without any corporate controls in a cosmic, earthly co-creational web of interlaced language feeds and Behrendt's  140 unforgettable, many worlds, mulithued, time- travelled collage works. “I am a catastrophe but I am a nimble catastrophe”  A Picture of Everyone I Love Passes Through Me “announces and then proceeds to agitate through “a flux, a continuous, compact and lucid flow: an intuition, a vacillating frisson of illumination as if caught in a flash of lightning."  Readerly Consciousness moves in and is moved by multiplying destructive and ubertoxic situations  in the 21st century debris. “These ponds currently hold enough toxic waste to fill 2.2 million Olympic-sized swimming pools.” Ecstatic language within the “Untitled (Grotto with Cow Horn.)” and “ (a baobab trunk or a bombax buttress) under a boiling of loquacious birds and the kisses of meteorites” is situated so as to offer a meditative kind of rest stop in “a bathtub full of gravity and eucalyptus leaves.”  You won’t be able to stop yourself from crying. And laughing.“ Feeling blue about our blue planet? Welcome to Pioneer City! Inquiries welcome.”  
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