Francesca Woodman and the Kantian Sublime

Editora:

Taylor & Francis Ltd

Código:

491_9781138246683

Vendido e entregue por Um Livro

De: R$ 0,00Por: R$ 562,41ou 3X de R$ 187,47

Comprar

Sinopse
Características

In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodmans achievement in light of the gender dynamics of the sublime. Raymond argues that Woodmans photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kants Critique of Judgement. Woodmans self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodmans work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.

Veja mais

Calcule o valor do frete e prazo de entrega para a sua região