New Paths Verse-Prose-Pictures 1917-1918
Cód:
491_9781443776004
NEW PATHS VERSE PROSE . PICTURES Edited by C. W. BEAUMONT AND M. T. H. SADLER Decorated by ANNE ESTELLE RICE LONDON C. W. BEAUMONT 75 CHARING CROSS ROAD W.C.2 DEDICATED TO THE MEMORY OF RUPERT BROOKE GAUDIER BRZESKA GERARD CHOWNE DIXON SCOTT A. NOEL SIMMONS C. H. SORLEY EDWARD THOMAS PELHAM WEBB and to all those gallant gentlemen who, but for having died in the service of their country, would have been pioneers along the new paths of literature and art VERSE CONTENTS FRONTISPIECE DESIGNED AND CUT ON WOOD By EDGARD TIJTGAT FRANCIS BICKLEY SOME TENDENCIES IN CONTEMPORARY POETRY . BIBLIOGRAPHY OF SOME RECENT BOOKS OF VERSE W. H. DAVIES Birds . . . . . . . . . That Day She Seized . . . . WALTER DE LA MARE Noahs Ark . . . . . . . The Tryst . . . . . . . . JOHN DRINKWATER Southampton Bells . . . . . Reality . . . . . . . . . WILFRID WILSON GIBSON Water . . , . . . . . . The Watch . . . . . . . The Fountain Pen . . . . , In Fifth Avenue . . . . . . Memory . . . . . . . . Song . . . . . . . . , RICHARD ALDINGTON The Blood of the Young Men . . Soliloquy . . . . . . , , J. G. FLETCHER Peace , . , . . . , , . The Red Gates . . . , . . PAGE F . S . FLINT JOHN FREEMAN D . H . LAWRENCE ROSE MACAULAY HAROLD MONRO J . C . SQUIRE WILFRED CHILDE GERALD CROW T . W . EARP JOHN HARVEY ALDOUS HUXLEY IRENE McLEOD ROBERT NICHOLS MAX PLOWMAN EDITH SITWELL Contents PAGE Oak . . . . . . . . . . . 30 3 Swan . . . . . . . . . . . . . . . . . . . . . . . No News . . . . . . . . . . . . . . . . The Undying 32 Ten Oclock No More 35 Labour Battalion 37 39 Pic-Nic . . . . . . . . . . Baffled . . . . . . . . . . 40 4a From an Old House . . . . . 44 Under . Sonnet . . . . . . . . . . . 46 . 48 The Burden of London . . . . . 49 Sonnet I . . . . . 50 Sonnet I1 . . . . . . . . . 50 Villon . . . . . . . . . . Mayors Sunday . . . . . . . 5 52 Siren Island . . . . . . . . 53 Rain . . . . . . . . . . 56 The Reef . . . . . . . . . . 57 On the Bus . . . . . . . . 59 The Graveyard on the Hill . . . . 60 Immorta
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