Philosophy Of Landscape Painting.
Cód:
491_9781443761543
PHILOSOPHY LANDSCAPE PAINTINGS. WILLIAM M. BRYANT. Art viewed as a whole is but the splendid spectrum of the white light of Truth shining through the prism of human sensibility. THE ST. LOUIS NEWS COMPANY. ST. LOUIS, MO. PREFACE. In extant works on the philosophy of art landscape painting is passed over with very brief mention. It is the purpose of the followiig pages to supply what is lacking in this respect. In working out this purpose it has assuned three principal phases. The first phase is unfolded in the proof that the modern scientific view of nature, together with its necessary complement the scientific view of man, lnust first have been developed before true la,ndscape a,rt could exist. The second phase takes shape a in the tracing out of the elements, external and internal, which enter int,o works of art of this class b in indicating the relation of lailtlsenpe painting to the other forms of art, and c ill defining and accounting for the types into which the products of this form of art iaturally fall. Finally the tili,d phase presents the realized uuit1x of the first 2nd second phalses in a brief eketch of the actual historical development of landscape painting. And here the primary airn has been to show the centrel significance of the successive phases in the developlllen t of landscale painting through an interpretation of works of leading artists in the several schools. If this purpose has been successfully wrought out the rolume now presented to the reader can hardly fail to prove serviceable as an introduction to the stltly of the philosophy of art in general. As to form that has been made as little techni- cal as possible. While in the first place the theme is philosophy, it is also in the second place philo- sophy as applied to, or rather as inrolred in the prodncts of one species of art. There is, there- fore, greater range here for the use of imagery than is the case i11 the treatment of the nature and func- tions of thought simply as such. I har
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