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Tempo Rubato And Other Essays
Cód:
491_9781443776264
There is in musical terminology no word under cover of which quite so many sins are committed as under tempo rubato. Chopin deservedly receives the credit for having discovered it, but many who thus credit him hold very strange ideas about it. There are those who suffer with a technic too unreliable to keep them steady in prolonged rapid passages and when they run away with the tempo they palm their weakness off as tempo rubato. Then there are those who believe that the use of tempo rubato begins with the works of Chopin and that it must not be employed in any music written before him. There are also the arch-pedants who insist that tempo rubato not only begins but also ends with Chopins compositions. All of which is, of course, pure cant, the bulwark of ignorance and bigotry. If Chopin coined the term tempo rubato, his coinage was certainly not particularly happy he could scarcely have hit upon words more ambiguous and less descriptive of their object. With freedom of time tempo libero, vacillating or wavering time tempo vacillando, or undecided time tempo indecison would have done as well and would have been more easily understood by nations that do not speak Italian, of which-by the way-Chopins knowledge was very limited. Above all, however, a clearer term would have prevented that occultism, that mystery, with which so many people still connect the tempo rubato. It is amusing to note that even some serious persons express the idea that in tempo rubato the right hand may use a certain freedom while the left hand mustkeep strict time. See Niecks Life of Chopin, 11, p. 101. A nice sort of music would result from such playing Something like the singing of a good vocalist accompanied by a poor blockhead who hammers away in strict time without yielding to the singer who, in sheer despair, must renounce all artistic expression. It is reported by some ladies that Chopin himself gave them this explanation, but-they might not have understood him as well as did Wilhelm vo
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