The Use of the Arabesque in Edgar Allen Poes Short Stories Ligeia and The Visionary
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Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 2,3, University of Göttingen, language: English, abstract: And the raven, never flitting, still is sitting, still is sittingOn the pallid bust of Pallas just above my chamber door;And his eyes have all the seeming of a demon that is dreaming,And the lamp-light oer him streaming throws his shadow on the floor;And my soul from out that shadow that lies floating on the floorShall be lifted -- nevermore! (Poe 28)These famous lines are from an often quoted poem by Edgar Allen Poe, one of the mostfamous American Authors of all time. He was a writer of all kinds of literary genre butwell know for his mystery or detective stories. Who does not know The Tell-Tale Heartor was shocked by the horror in The Fall of the House of Usher? Poe was a magnificentwriter of Gothic Novels and is still today a well-known and well referred author when itcomes to horror or even science fiction. His stories and plays are often adopted for thetheatre and also Hollywood is incapable of not portraying his well-known horror stories.Next to his famous works Poe, like many authors of the 19th century, wrote arabesquestories. Although there is his known Collection of Arabesque and Grotesque Stories from1840, it is unknown to many that he followed truly an oriental writing tradition and setfootprints into this new genre like Johnson, Moore, Byron and others and developed thearabesque term to a new limit.But the question is if these stories are really written in the oriental tradition. Many criticsare unsure up to this day if Poe really wanted to write in the arabesque or grotesquetradition and if he was aware of the fact that these two terms are of different backgroundand do not, like many people think, just refer to the same definition.This term paper will focus on Poes use of the arabesque tradition in his stories TheVisionary from 1834 and Ligeia from 1838. It is the aim to find
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