Trevor Lynchs White Nationalist Guide to the Movies

Editora:

Counter-Currents Publishing

Código:

491_9781935965442

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Since 2001, Trevor Lynchs witty, pugnacious, and profound film essays and reviews have developed a wide following among cinephiles and White Nationalists alike. Lynch deals frankly with the anti-white bias and Jewish agenda of many mainstream films, but he is even more interested in discerning positive racial messages and values, sometimes in the most unlikely places.Trevor Lynchs White Nationalist Guide to the Movies gathers together some of his best essays and reviews covering 32 movies, including his startling philosophical readings of Pulp Fiction, The Dark Knight Trilogy, and Mishima; his racialist interpretations of The Lord of the Rings and Gangs of New York; his masculinist readings of The Twilight Saga and A History of Violence; his insights into the Jewish nature of the superhero genre occasioned by Guillermo del Toros Hellboy movies; and his hilarious demolitions of The Matrix Trilogy, The Girl With the Dragon Tattoo series, and the detritus of Quentin Tarantinos long decline.Trevor Lynchs White Nationalist Guide to the Movies establishes its author as a leading cultural theorist and critic of the North American New Right.Trevor Lynch provides us with a highly literate, insightful, and even philosophical perspective on film-one that will send you running to the video rental store for a look at some very worthwhile movies-although he is also quite willing to tell you what not to see. He sees movies without the usual blinders. He is quite aware that because Hollywood is controlled by Jews, one must typically analyze movies for their propaganda value in the project of white dispossession. Trevor Lynchs collection is a must read for anyone attempting to understand the deep undercurrents of the contemporary culture of the West.- Kevin MacDonald, author of The Culture of Critique, from the ForewordHollywood has been deconstructing the white race for nearly a century. Now Trevor Lynch is fighting back, deconstructing Hollywood from a White Nat

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